BIOS Journal 39 (2015)

£15.50

The Hamiltons of Edinburgh: Part 2, the middle years. Alan Buchan (Edinburgh)

Small organ design in the nineteenth century. Andrew Hayden (Norwich)

‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England.  Christopher Anderson (Dallas, Texas)

An organist's life: William Done of Worcester Cathedral (1815–95) James Berrow (Birmingham)

Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972–77.  Richard Moore (London)

‘Accompanied all along on the Organ by his own inimitable Hand’: Handel and the Direction of his Oratorios.  Peter Holman (Colchester)

Two new editions of Bach’s organ music: some questions Peter Williams (Newent)

John Clarke Whitfeld: a life.  José Hopkins (Cambridge)

The origin of the term Chair Organ.  Paul Binski (Cambridge)

Obituary: Kenneth Hugh Tickell (1956–2014). John Norman (London)

The Hamiltons of Edinburgh: Part 2, the middle years. Alan Buchan (Edinburgh)

Small organ design in the nineteenth century. Andrew Hayden (Norwich)

‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England.  Christopher Anderson (Dallas, Texas)

An organist's life: William Done of Worcester Cathedral (1815–95) James Berrow (Birmingham)

Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972–77.  Richard Moore (London)

‘Accompanied all along on the Organ by his own inimitable Hand’: Handel and the Direction of his Oratorios.  Peter Holman (Colchester)

Two new editions of Bach’s organ music: some questions Peter Williams (Newent)

John Clarke Whitfeld: a life.  José Hopkins (Cambridge)

The origin of the term Chair Organ.  Paul Binski (Cambridge)

Obituary: Kenneth Hugh Tickell (1956–2014). John Norman (London)

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