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Editorial – Andrew McCrea
Parry’s Chorale Preludes and the fashioning of a national genre. Jeremy Dibble (Durham)
Ernest Farrar (1885–1918): composer and organist . Martin Holmes (Oxford)
Organs, memorials and war. David Knight (London)
From modules to music: recreating late-medieval organs in the last quarter century. Kimberly Marshall (Phoenix, Arizona)
The aesthetic appeal of uneven work: understanding the craftsmanship of the early modern period. Dominic Gwynn (Wells)
The last years: Charles Spackman Barker (Part III). Philippe d’Anchald (Paris)
The first applications of electricity to the organ. Philippe d’Anchald (Paris)
Cecil Clutton (1909–91): the last of the tonal architects. Richard Hobson (Rickmansworth)
A conjectural note ... Richard Moore (Guildford)
Editorial – Andrew McCrea
Parry’s Chorale Preludes and the fashioning of a national genre. Jeremy Dibble (Durham)
Ernest Farrar (1885–1918): composer and organist . Martin Holmes (Oxford)
Organs, memorials and war. David Knight (London)
From modules to music: recreating late-medieval organs in the last quarter century. Kimberly Marshall (Phoenix, Arizona)
The aesthetic appeal of uneven work: understanding the craftsmanship of the early modern period. Dominic Gwynn (Wells)
The last years: Charles Spackman Barker (Part III). Philippe d’Anchald (Paris)
The first applications of electricity to the organ. Philippe d’Anchald (Paris)
Cecil Clutton (1909–91): the last of the tonal architects. Richard Hobson (Rickmansworth)
A conjectural note ... Richard Moore (Guildford)
We have back copies of all BIOS Journals from Volume 1 to 46, please contact us if the volume that you are looking for is not showing on the website.
